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The following is an alphabetical list by title of some of the songs. I will keep updating every couple of weeks. Added 27 New or Revised MIDI. Blue - Wikipedia. Blue is the colour between violet and green on the optical spectrum of visible light. Human eyes perceive blue when observing light with a wavelength between 4. Blues with a higher frequency and thus a shorter wavelength gradually look more violet, while those with a lower frequency and a longer wavelength gradually appear more green. Pure blue, in the middle, has a wavelength of 4. In painting and traditional colour theory, blue is one of the three primary colours of pigments, along with red and yellow, which can be mixed to form a wide gamut of colours. Red and blue mixed together form violet, blue and yellow together form green. Blue is also a primary colour in the RGB colour model, used to create all the colours on the screen of a television or computer monitor. The modern English word blue comes from Middle Englishbleu or blewe, from the Old Frenchbleu, a word of Germanic origin related to Old Dutch, Old High German. When sunlight passes through the atmosphere, the blue wavelengths are scattered more widely by the oxygen and nitrogen molecules, and more blue comes to our eyes. An optical effect called Tyndall scattering, similar to Rayleigh scattering, explains blue eyes; there is no blue pigment in blue eyes. Distant objects appear more blue because of another optical effect called atmospheric perspective. Blue has been used for art and decoration since ancient times. The semi- precious stone lapis lazuli, coming from mines in Afghanistan, was used in ancient Egypt for jewelry and ornament and later, in The Renaissance, to make the pigment ultramarine, the most expensive of all pigments. It is the most important color in Judaism. In the Middle Ages, cobalt blue was used to colour the stained glass windows of cathedrals. Beginning in the 9th century, Chinese artists used cobalt to make fine blue and white porcelain. Blue dyes for clothing were made from woad in Europe and indigo in Asia and Africa. In 1. 82. 8 a synthetic ultramarine pigment was developed, and synthetic blue dyes and pigments gradually replaced mineral pigments and vegetable dyes. Pierre- Auguste Renoir, Vincent van Gogh and other late 1. In the late 1. 8th century and 1. In the 2. 0th century, because blue was commonly associated with harmony, it was chosen as the colour of the flags of the United Nations and the European Union. Toward the end of the 2. Surveys in the US and Europe show that blue is the colour most commonly associated with harmony, faithfulness, confidence, distance, infinity, the imagination, cold, and sometimes with sadness. In US and European public opinion polls it is the most popular colour, chosen by almost half of both men and women as their favourite colour. Shades and variations. Blue is the colour of light between violet and green on the visible spectrum. Hues of blue include indigo and ultramarine, closer to violet; pure blue, without any mixture of other colours; Cyan, which is midway on the spectrum between blue and green, and the other blue- greens turquoise, teal, and aquamarine. Blues also vary in shade or tint; darker shades of blue contain black or grey, while lighter tints contain white. Darker shades of blue include ultramarine, cobalt blue, navy blue, and Prussian blue; while lighter tints include sky blue, azure, and Egyptian blue. Today most blue pigments and dyes are made by a chemical process. Pure blue, also known as high blue, is not mixed with any other colours. Sky blue or pale azure, mid- way on the RBG colour wheel between blue and cyan. Egyptian blue goblet from Mesopotamia, 1. BC. This was the first synthetic blue, first made in about 2. BC. Extract of natural indigo, the most popular blue dye before the invention of synthetic indigo. A block of lapis lazuli, originally used to make ultramarine. Etymology and linguistic differences. The modern English word blue comes from Middle Englishbleu or blewe, from the Old Frenchbleu, a word of Germanic origin, related to the Old High German word blao. See Colour term. Several languages, including Japanese, Thai, Korean, and Lakota Sioux, use the same word to describe blue and green. For example, in Vietnamese the colour of both tree leaves and the sky is xanh. In Japanese, the word for blue (. Blue was also not used for dyeing fabric until long after red, ochre, pink and purple. This is probably due to the perennial difficulty of making good blue dyes and pigments. In Egypt, it was used for the eyebrows on the funeral mask of King Tutankhamun (1. BC). Beginning in about 2. BC, the ancient Egyptians began to produce their own blue pigment known as Egyptian blue, made by grinding silica, lime, copper, and alkalai, and heating it to 8. This is considered the first synthetic pigment. It was particularly used in funeral statuary and figurines and in tomb paintings. Blue was considered a beneficial colour which would protect the dead against evil in the afterlife. Blue dye was also used to colour the cloth in which mummies were wrapped. The Egyptian god Amun could make his skin blue so that he could fly, invisible, across the sky. Blue could also protect against evil; many people around the Mediterranean still wear a blue amulet, representing the eye of God, to protect them from misfortune. They also added cobalt, which produced a deeper blue, the same blue produced in the Middle Ages in the stained glass windows of the cathedrals of Saint- Denis and Chartres. The Greek word for dark blue, kyaneos, could also mean dark green, violet, black or brown. The ancient Greek word for a light blue, glaukos, also could mean light green, grey, or yellow. They used Egyptian blue in the wall paintings of Knossos, in Crete, (2. BC). It was not one of the four primary colours for Greek painting described by Pliny the Elder (red, yellow, black, and white), but nonetheless it was used as a background colour behind the friezes on Greek temples and to colour the beards of Greek statues. Blue was considered the colour of mourning. It was also considered the colour of barbarians; Julius Caesar reported that the Celts and Germans dyed their faces blue to frighten their enemies, and tinted their hair blue when they grew old. According to Vitruvius, they made dark blue pigment from indigo, and imported Egyptian blue pigment. The walls of Roman villas in Pompeii had frescoes of brilliant blue skies, and blue pigments were found in the shops of colour merchants. BC)a decorated cobalt glass vessel from Ancient Egypt (1. BC)Figure of a servant from the tomb of King Seth I (1. BC). The figure is made of faience with a blue glaze, designed to resemble turquoise. A Roman wall painting of Venus and her son Eros, from Pompeii (about 3. BC)In the Byzantine Empire and the Islamic World. Dark blue was widely used in the decoration of churches in the Byzantine Empire. In Byzantine art Christ and the Virgin Mary usually wore dark blue or purple. Blue was used as a background colour representing the sky in the magnificent mosaics which decorated Byzantine churches. At certain times in Moorish Spain and other parts of the Islamic world, blue was the colour worn by Christians and Jews, because only Muslims were allowed to wear white and green. Lapis lazuli pigment was also used to create the rich blues in Persian miniatures. During the Middle Ages. In the art and life of Europe during the early Middle Ages, blue played a minor role. The nobility wore red or purple, while only the poor wore blue clothing, coloured with poor- quality dyes made from the woad plant. Blue played no part in the rich costumes of the clergy or the architecture or decoration of churches. This changed dramatically between 1. Paris, when the Abbe Suger rebuilt the Saint Denis Basilica. He installed stained glass windows coloured with cobalt, which, combined with the light from the red glass, filled the church with a bluish violet light. The church became the marvel of the Christian world, and the colour became known as the . In the years that followed even more elegant blue stained glass windows were installed in other churches, including at Chartres Cathedral and Sainte- Chapelle in Paris. In earlier centuries her robes had usually been painted in sombre black, grey, violet, dark green or dark blue. In the 1. 2th century the Roma Catholic Church dictated that painters in Italy (and the rest of Europe consequently) to paint the Virgin Mary with the new most expensive pigment imported from Asia; ultramarine. The mines were visited by Marco Polo in about 1. Ultramarine refined out the impurities through a long and difficult process, creating a rich and deep blue. It was called bleu outremer in French and blu oltremare in Italian, since it came from the other side of the sea. It cost far more than any other colour, and it became the luxury colour for the Kings and Princes of Europe. This was copied by other nobles. Paintings of the mythical King Arthur began to show him dressed in blue. The coat of arms of the kings of France became an azure or light blue shield, sprinkled with golden fleur- de- lis or lilies. Blue had come from obscurity to become the royal colour. In the Middle Ages in France and to some extent in Italy, the dyeing of blue cloth was subject to license from the crown or state. In Italy, the dyeing of blue was assigned to a specific guild, the tintori di guado, and could not be done by anyone else without severe penalty. The wearing of blue implied some dignity and some wealth. Azurite, a form of copper carbonate, was often used as a substitute for ultramarine. The Romans used it under the name lapis armenius, or Armenian stone. The British called it azure of Amayne, or German azure. The Germans themselves called it bergblau, or mountain stone. It was mined in France, Hungary, Spain and Germany, and it made a pale blue with a hint of green, which was ideal for painting skies. It was a favourite background colour of the German painter Albrecht D. It was made from the plant Crozophora tinctoria, which grew in the south of France.
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